Program


THE COMPOSER OF THREE NATIONS – THE 100TH ANNIVERSARY OF DORA PEJAČEVIĆ’S DEATH E/2.

THE COMPOSER OF THREE NATIONS – THE 100TH ANNIVERSARY OF DORA PEJAČEVIĆ’S DEATH E/2.

A significant part of Gergely Kesselyák's musical activity is the research and presentation of the music of neighbouring peoples in Hungary, thence we will be able to listen to three important works by the Croatian-Hungarian composer Dora Pejačević.

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Last event date: Friday, November 10 2023 7:00PM

PROGRAM

Pejačević: Verwandlung, Op. 37
Pejačević: Liebeslied, Op. 39
Liszt F.: Piano Concerto in A Major, No. 2, S. 125 gm: József Balog (piano)
Pejačević: Symphony in F Sharp Minor, op. 41

FEATURING

 

Dorottya Láng - mezzo-soprano
József Balog - piano

CONDUCTOR

Gergely Kesselyák
 
Dora Pejačević (1885-1923) was a Croatian composer born in Budapest into a Croatian-Hungarian family of counts. She studied in Zagreb, Dresden and Munich. She composed in the late Romantic style and his oeuvre contains 106 pieces. Her symphony was performed in the Golden Hall of the Musikverein in Vienna. Initially, she composed piano pieces, sonatas and songs, and her first orchestral work was a piano concerto (1913).

József Balog is a Liszt, Lajtha and Artisjus Prize-winning pianist, one of the most talented members of his generation. A exceptional performer, the heir to an internationally renowned Hungarian pianistic tradition, the foundations of which were laid by Franz Liszt, Ernő Dohnányi and Béla Bartók. His brilliant technique and sensitive, profound musicianship have won him critical acclaim and public enthusiasm.

A significant part of Gergely Kesselyák's musical activity is the research and presentation of the music of neighbouring peoples in Hungary, thence we will be able to listen to three important works by the Croatian-Hungarian composer Dora Pejačević.

Our offer


Apollo and Dionysus, idyll and rampant celebration: such pairs of opposites could be used to describe Beethoven's two symphonies, the Symphony No. 6 and Symphony No. 7. The first is one of the most beautiful examples of music depicting nature, in which we hear birdsong, the murmur of a stream, a shepherd's horn. The second, which – after Richard Wagner’s often quoted remark – has been called 'the Apotheosis of the Dance itself', was a resounding success in its day in the imperial city. It contains the popular Allegretto, which was applauded by the audience at its premiere and on occasion has been performed as a stand-alone piece. The fourth evening in Gábor Takács-Nagy's Beethoven series features works by the composer from his "Promethean" period.

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