Program


FACES OF BEETHOVEN - Beethoven / Gábor Takács-Nagy - E/2

FACES OF BEETHOVEN - Beethoven / Gábor Takács-Nagy - E/2

The first evening of Gábor Takács-Nagy's Beethoven series begins with the King Stephen overture, with which the new Pest Theatre was inaugurated in 1812. Contemporary records attest to Beethoven's love and respect for the Hungarians, which he expressed by building the music of the overture from Hungarian recruitment melodies.  more

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Last event date: Friday, October 18 2024 7:00PM

PROGRAM

Beethoven: King Stephen – overture
Beethoven: Symphony No. 1
Beethoven: Symphony No. 4.

CONDUCTOR

Gábor Takács-Nagy
 
The first evening of Gábor Takács-Nagy's Beethoven series begins with the King Stephen overture, with which the new Pest Theatre was inaugurated in 1812. Contemporary records attest to Beethoven's love and respect for the Hungarians, which he expressed by building the music of the overture from Hungarian recruitment melodies. With respect to Symphony No 1, critics point out that the influence of Haydn, the great predecessor and teacher, is still strongly apparent, along with a nostalgic reminiscence of his homeland, the Rhineland. Numerous music historians point out that Beethoven wrote a lighter, more cheerful symphony after his great, dramatic symphonies: following the great Eroica Symphony, Beethoven composed his charming Symphony No. 4 in 1806, which also carries humorous overtones.

Our offer


Our orchestra's permanent guest conductor, Péter Csaba will take the audience on a journey into the music of German Romanticism. Max Bruch (1838-1920) followed in Mendelssohn's footsteps as a composer and later became an admirer and friend of Brahms. His most frequently performed work is Violin Concerto No. 1 in G minor, which was premiered by Joseph Joachim. Austrian organist and composer Anton Bruckner (1824-1896) was a deeply religious man and an ardent follower of Wagner's music. His last symphonies belong to final stage of Romanticism, both in terms of the size of the orchestra and the length of the pieces. He described Symphony No. 4, composed in 1874, as 'Romantic'; in fact, it is a depiction of nature, from idyllic landscape to terrifying storm. Another special feature of the concert is that the violin soloist, Anna Csaba, is the daughter of the conductor, who studied at the Conservatory of Music de Genève and later Cologne University of Music and Dance.

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A IX. szimfóniát nem túlzás az európai zene legjelentősebb remekművének jellemezni, amely végigkísérte nagy veszteségeinket és győzelmeinket: a wagneri összművészet…

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