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Last event date: Friday, June 07 2024 7:00PM

Program:
Karl Amadeus Hartmann: Concerto funebre
Franz Schreker: Intermezzo
Alexander Tansman: Triptych
Felix Mendelssohn-Bartholdy: String Symphony No. 9 in C Major

Featuring:
Orsolya Korcsolán – violin
Conductor: Amaury du Closel

The reign of terror by Hitler left a painful mark on the music of Europe, causing the banning of numerous artists. In his Concerto funebre composed in 1938, Hartmann portrayed not only mourning and gloom but also glimpses of hope in the form of two chorales. Austrian composer Franz Schreker, once mentioned alongside Richard Strauss, saw his work banned in his time. Alexander Tansman fled from Warsaw to Paris and then to Los Angeles with the help of Charlie Chaplin to escape the war. During these troubled years, the works of Felix Mendelssohn were also banned in Germany. The soloist for the evening is Orsolya Korcsolán, a rediscoverer of Jewish composers of the era, who has produced an album of Sándor Kuti's works for Deutsche Grammophon. Leading the orchestra is French conductor Amaury du Closel, whose organization, Forum Voix Etouffees, aims to promote composers persecuted by Nazism.

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Apollo and Dionysus, idyll and rampant celebration: such pairs of opposites could be used to describe Beethoven's two symphonies, the Symphony No. 6 and Symphony No. 7. The first is one of the most beautiful examples of music depicting nature, in which we hear birdsong, the murmur of a stream, a shepherd's horn. The second, which – after Richard Wagner’s often quoted remark – has been called 'the Apotheosis of the Dance itself', was a resounding success in its day in the imperial city. It contains the popular Allegretto, which was applauded by the audience at its premiere and on occasion has been performed as a stand-alone piece. The fourth evening in Gábor Takács-Nagy's Beethoven series features works by the composer from his "Promethean" period.

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